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NO WORDS

This frothy, made-for-summer read earns its place poolside.

At Little Bridge Island’s first annual literary festival, the attending authors create enough drama to fill several novels.

Jo Wright, author of popular children’s book series Kitty Katz, Kitten Sitter, is not feeling as perfectly “pawsitive” as her plucky feline heroine. She’s been dealing with terrible writer’s block ever since Will Price, author of several supersuccessful maudlin romances, bad-mouthed her books to a reporter from the New York Times. Now prone to wearing all black and embracing a less-than-sunny approach to life, Jo is way behind on her deadline for Kitty Katz No. 27 and in need of funds to move her ailing father out of New York City and to a warmer climate. So, when Jo receives an unexpected invitation—complete with $10,000 stipend—to the Florida Keys for Little Bridge Island’s first literary festival, she can’t really justify turning it down. There’s only one downside: Will Price is not only attending the festival, but he’s also its largest donor. Jo, along with a zany cast including magician/fantasy author Garrett Newcombe and her best friend, YA novelist Bernadette Zhang, are all charmed by the island’s hospitality and the festival’s fancy events. But when Jo and Will’s past animosity seeps into the present and unsavory rumors come to a head, Little Bridge finds itself in the eye of a “purr-fect” storm. This third trip to Little Bridge—following No Judgments (2019) and No Offense (2020)—puts Cabot’s trademark wit and vibrant characters on full display. While some key facets of the plot are underdeveloped—the explanation for Will’s unsavory behavior is unsatisfactory, as is Jo’s extreme reaction to it—the charming small-town setting, intriguing hate-to-love romance, and authentic look behind the scenes of a literary get-together make for a winning combination.

This frothy, made-for-summer read earns its place poolside.

Pub Date: Sept. 28, 2021

ISBN: 978-0-06-308225-0

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: July 13, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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