Readers who remember the 1980s will enjoy this edgy tale of lost innocence as much as new adults.
An instant friendship between summer interns in 1983 New York veers into rough waters.
“I like the way you never speak before thinking,” says Edie to her new best friend, Beth, who for once is able to deliver a snappy reply: “I like the way you never think before speaking.” The girls, both recent high school graduates, are otherwise opposites: Beth has come to New York City from nowheresville with little money and even less self-confidence, while Edie is the epitome of Manhattan wealth and cool. They join two boys, ultracompetitive Dan and preppy Oliver, in the bustling offices of a daily newspaper. As much as Beth absorbs about journalism from this coveted post, she will learn even more from her sophisticated new friend—and roommate, after Edie rescues her from a cockroach-infested tenement downtown. Rosoff evokes an unbearably hot summer in Manhattan with sidewalk-melting intensity, not skimping on gritty period detail, conveyed in a tabloid tone from the very first page: “Muggers mugged. Junkies jacked up. Pickpockets picked pockets. Flashers flashed, rapists raped and perverts perved. Psycho bag ladies shouted obscenities at miscellaneous crazies. You could get shot just for being in the path of a bullet. AIDS knew where you lived.” Beth, the granddaughter of four Holocaust victims, may be unworldly, but her sensitivity and her moral clarity give her a grounding her loose-cannon friend Edie sorely lacks. The book follows a White default.
Readers who remember the 1980s will enjoy this edgy tale of lost innocence as much as new adults. (content note) (Fiction. 16-adult)Pub Date: May 30, 2023
ISBN: 9781774881101
Page Count: 208
Publisher: Tundra Books
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
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