Enjoy a scoop of ice cream instead.
A slight mystery casts a shadow over New Amity.
Sarah and Lizzie are 11-year-old BFFs in a small New Hampshire town where Lizzie’s family owns an orchard. This summer, to their great delight, they get to run the ice cream stand. If they net $5,000, they will have enough money for their dream: a Halloween zombie hayride. Things start to go awry for Sarah when twins Peter and Olive show up and join the formerly two-person team. Sarah frets constantly that Lizzie will no longer be her friend; sharing is an unwelcome thought. Then a crisis occurs when the ice cream earnings disappear from the safe. Atwood characterizes her cast with descriptive but underdeveloped diversity. Sarah’s grandparents are from Iran, and she has “beige-brown skin.” Lizzie has “pale skin.” The twins have “huge brown eyes, medium-dark-brown skin, and curly hair,” and their two dads are Mr. and Mr. Wu. The whole town is something of a multicultural Platonic ideal. Hakeem observes Ramadan, and Aaron wears an apron that reads “KISS ME, I’M JEWISH.” Sveta and Dani Alvarez are a local power couple. None of the children use cellphones or computers. Readers may very well ponder why a town that holds Sunday morning Community Spirit meetings is so gung-ho to finance a Halloween activity and not a worthy cause. Digitized line drawings introduce each chapter in this first of a series for each season.
Enjoy a scoop of ice cream instead. (Fiction. 8-11)Pub Date: May 2, 2017
ISBN: 978-1-4814-9047-4
Page Count: 224
Publisher: Aladdin
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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