AWAY

Four young people come together in a relocation camp after they’re suddenly evacuated from their Colorado homes.

In this companion to Alone (2021), Ashanti Johnson, 12, Grandin Stone, 14, Harmony Addams-Paul, 12, Teddy Brenkert, 11, and their families are whisked off to a fenced-in camp amid urgent announcements of a never-specified threat. There, they’re cut off by armed guards and a cell phone ban from all contact with the outside world. Eventually, after nearly two years of official obfuscation and foot dragging, they come to suspect that all is not as it seems. The plot and the whole scenario require a major suspension of disbelief, but to readers who can roll with it, Freeman delivers an engaging tale in which young crusaders strive to overcome both parental passivity and corrupt authorities to discover and expose a dastardly scheme. Of the leads, only Grandin, who comes from a ranching family and hopes to become an environmentalist, wrestles with sharp feelings of displacement, but the others do have a variety of personal interests (such as Ashanti’s deep knowledge of Greek mythology) and family issues that emerge. The narrative unfolds in introspective free verse, transcripts of radio broadcasts, stories in the camp’s newspaper by student journalist Harmony, and scripted film scenes by aspiring filmmaker Teddy (whose behavior may signal neurodiversity). Most characters present white; Ashanti is cued Black.

Scary and satisfying, for all its implausibility.