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BUNNY AND CLYDE

Being bad is work. Delightful.

An anthropomorphic bunny and chipmunk set out to be bad.

Bunny and Clyde are tired of being good, tired of “saying please and thank you,” tired of “keeping burps to themselves.” They ask the librarian, a robin named Rowena, to show them the “bad section”; she points them to the tornadoes and hurricanes books—not quite what they were looking for. But then they discover the picture books Interrupting Chicken and Bad Kitty—now here’s bad! Inspired, they mess up Bunny’s tidy room, putting her books in “un-alphabetical order” and coloring on the walls. Undaunted—even after Bunny’s Maw-Maw makes them clean up—they hole up in their shed hideout, thinking up more ways to be bad. But when they pull up the flowers in Darby the squirrel’s yard, she thanks them for getting rid of her pesky dandelions. And after, under cover of darkness, they wrap toilet paper all around Thornton the possum’s prize roses, he tells them how grateful he is that they’ve saved his flowers from the unexpected frost. And when they scheme to take the pennies out of Rowena’s piggy bank…well, readers will just have to find out for themselves how that goes down. The clever plot is anchored by Bunny and Clyde’s Hollywood gangster-speak, tongue-in-cheek dialogue, and groan-worthy puns, all of which will charm young readers. The illustrations are well placed for visual interest. Final art not seen.

Being bad is work. Delightful. (Chapter book. 5-9)

Pub Date: March 12, 2024

ISBN: 9781536228731

Page Count: 128

Publisher: Candlewick

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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