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I SAW THE SEA AND THE SEA SAW ME

A jaunt to the seashore has an unexpected ending for a young explorer who investigates the sea using her five senses. In turn, the sea seems to examine the little girl. “I touched the cold and foamy wet. We splashed and danced each time we met.” Cash’s simple rhymes offer readers playful, easily grasped examples of the five senses: the tangy smell of the air, the roar of the waves, etc. A close encounter with an inquisitive jellyfish puts an end to the girl’s fun. At that point the young protagonist erupts into a fury of toddler proportions. “Stupid water! Stupid land! Stupid salt! Stupid sand!” Her tirade continues for two pages, as she castigates the sea and its creatures. The realistically rendered tantrum is certain to cause a cascade of giggles from young readers, although whether adults will wish to share the vituperative outpouring of the word “stupid” with their children or charges is another story. The comic edge of the illustrations takes the sting, so to speak, out of the debatable word choice, humorously depicting the young girl stomping about with a ferocious scowl. A soothing soak in the tub returns the child’s equanimity and, with that, her fondness for the sea. Cash’s brightly colored pictures offer an engaging range of perspectives to intrigue readers. Brilliant swaths of blue flow across the white backdrop of the horizon, vibrantly contrasting with the intense yellow hues of the beach. Comical touches keep the laughs coming—as in the two-page spread which depicts the girl hollering full tilt in the back of her car while at the side of the road, an apologetic-looking jellyfish dolefully watches the passing vehicle. However, the sparkling artwork and initially effervescent tone is somewhat dimmed by the capricious twists of the tale. (Picture book. 2-6)

Pub Date: May 1, 2001

ISBN: 0-670-89966-6

Page Count: 40

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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LITTLE BLUE TRUCK'S CHRISTMAS

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...

The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.

The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)

Pub Date: Sept. 23, 2014

ISBN: 978-0-544-32041-3

Page Count: 24

Publisher: HMH Books

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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