A heartfelt if rocky read-aloud.
The titular bench, in several iterations, becomes a touchstone fixture in the lives of several father-and-son pairings.
The text is related in the voice of a loving partner who is mostly off page as they address the father figure who appears in every picture along with his son. In all but the first and last pictures, which depict a White, redhaired, bearded man and his offspring, each father-son pairing is different, as is the bench and its location. Some benches are clearly in public places (a park, a bus stop), while others are in what appear to be residences or backyards; most are ambiguously situated, allowing readers to reach their own conclusions as to where each father-son pair is. What is constant is the love between them, whether the tutu-clad father and his similarly attired son, both with light brown skin, using a bench to stretch; the Black father and babe enjoying a sun-dappled nap; or the Sikh father cheering his son’s soccer exploits. While Robinson’s painterly illustrations are characteristically beautiful, the text from Meghan, The Duchess of Sussex, is less accomplished. Written in abcb rhyming quatrains, it often struggles for rhyme and scansion, sometimes to tortuous effect: “You feel happiness, sorrow / One day be heartbroken. / You’ll tell him ‘I love you’ / Those words always spoken.”
A heartfelt if rocky read-aloud. (Picture book. 3-5)Pub Date: June 8, 2021
ISBN: 978-0-593-43451-2
Page Count: 40
Publisher: Random House
Review Posted Online: June 9, 2021
Kirkus Reviews Issue: July 1, 2021
SEEN & HEARD
IN THE NEWS
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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