Movie history deserves no less than this stunning encapsulation, cleverly designed and gorgeously rendered.
McCarthy presents an ambitious encapsulation of the birth of movies with humor and modern touches.
Blending her customary, big-eyed cartoons with a more sophisticated realism, McCarthy offers a stirring, occasionally quirky deep dive into early film. From Eadweard Muybridge’s galloping horse to the last movies of the silent era, a selection of famous films is presented as McCarthy chronicles cinema history. Meticulous art captures architectural details, silent film stars, and even the world’s earliest example of a silly cat video (“The Boxing Cats” from 1894). The book links early films with movies kids may have seen; the Maschinenmensch of Metropolis is paired with C-3PO of Star Wars, Harold Lloyd’s Safety Last with Hugo and Back to the Future, and so on. Some inclusions, like Johnny Depp’s appearance in Benny & Joon, are unfortunate in light of their stars’ behavior. McCarthy briefly addresses the prejudice confronted by people of color in the film industry, with special attention paid to Josephine Baker and contemporary films like Black Panther. Backmatter includes five stories from film’s past, all worthy of their own books. The overall effect is less exhausting than it is inspiring. Kids will reach the end and likely be disappointed that the story doesn’t continue. (This book was reviewed digitally.)
Movie history deserves no less than this stunning encapsulation, cleverly designed and gorgeously rendered. (author’s note, bibliography) (Nonfiction picture book. 7-12)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-5230-5
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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