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EARMUFFS FOR EVERYONE!

HOW CHESTER GREENWOOD BECAME KNOWN AS THE INVENTOR OF EARMUFFS

While Greenwood was indeed an interesting character, the more valuable—even revolutionary—takeaway is that history isn’t...

A look not just at the invention (or not) of earmuffs, but at the process of inventing and the way that history can rewrite itself.

Every year in the beginning of December, the town of Farmington, Maine, has a parade in which all the participants (cars, buses, trucks, included) wear earmuffs. This parade celebrates Chester Greenwood, who was not the inventor of earmuffs. Wait. What? That’s right. Chester Greenwood did not invent earmuffs; he improved the designs of other inventors, applied for a patent and is misremembered today as the inventor of the ubiquitous ear coverings so popular in cold climates. In her latest nonfiction title, McCarthy looks at how this happened, along the way delivering tidbits about patents; the lives of Greenwood and his wife, Isabel, who was active in the suffrage movement; other inventors who were really improvers (Edison and his light bulb); and the movement to dedicate a day to Greenwood. McCarthy’s acrylic illustrations nicely bring history to kids, mixing the familiar and the new. They realistically portray history (and Farmington!) and feature her characteristic big-eyed, round-faced people. Two photographs show Greenwood, sporting earmuffs of course, and a portion of the Chester Greenwood Day parade in downtown Farmington. Backmatter includes a fascinating note about the research for the book, more about patents and a bibliography.

While Greenwood was indeed an interesting character, the more valuable—even revolutionary—takeaway is that history isn’t necessarily reliable; it can change, and McCarthy’s genius is that she communicates this so easily to her audience. (Informational picture book. 4-10)

Pub Date: Jan. 6, 2015

ISBN: 978-1-4814-0637-6

Page Count: 48

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Sept. 30, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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ADA TWIST AND THE PERILOUS PANTS

From the Questioneers series , Vol. 2

Adventure, humor, and smart, likable characters make for a winning chapter book.

Ada Twist’s incessant stream of questions leads to answers that help solve a neighborhood crisis.

Ada conducts experiments at home to answer questions such as, why does Mom’s coffee smell stronger than Dad’s coffee? Each answer leads to another question, another hypothesis, and another experiment, which is how she goes from collecting data on backyard birds for a citizen-science project to helping Rosie Revere figure out how to get her uncle Ned down from the sky, where his helium-filled “perilous pants” are keeping him afloat. The Questioneers—Rosie the engineer, Iggy Peck the architect, and Ada the scientist—work together, asking questions like scientists. Armed with knowledge (of molecules and air pressure, force and temperature) but more importantly, with curiosity, Ada works out a solution. Ada is a recognizable, three-dimensional girl in this delightfully silly chapter book: tirelessly curious and determined yet easily excited and still learning to express herself. If science concepts aren’t completely clear in this romp, relationships and emotions certainly are. In playful full- and half-page illustrations that break up the text, Ada is black with Afro-textured hair; Rosie and Iggy are white. A closing section on citizen science may inspire readers to get involved in science too; on the other hand, the “Ode to a Gas!” may just puzzle them. Other backmatter topics include the importance of bird study and the threat palm-oil use poses to rainforests.

Adventure, humor, and smart, likable characters make for a winning chapter book. (Fiction. 6-9)

Pub Date: April 16, 2019

ISBN: 978-1-4197-3422-9

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Jan. 27, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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LITTLE MELBA AND HER BIG TROMBONE

Readers will agree that “Melba Doretta Liston was something special.”

Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.

Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Pub Date: July 1, 2014

ISBN: 978-1-60060-898-8

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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