Noted Israeli writer Shalev (The Blue Mountain, 1991) takes his time getting nowhere in particular as he tries to put a contemporary spin on the legendary biblical story of a lost inheritance and sibling rivalry. Set in Israel, the story is narrated by Esau, who fled to America when his beloved Leah was wooed and won by twin brother Jacob. Now in his late 50s, Esau is back home visiting his dying father, Abraham Levy, a descendant of illustrious sages but a baker by trade, who had fallen in love and married the splendid red- haired Sarah, daughter of Russian peasant converts who had immigrated to Israel early in the century. Humiliated by the loan her family made after his business was destroyed by an earthquake in 1927, Abraham soon, to Sarah's great sorrow, ignored her. Esau recalls his parents' courtship, his village childhood, his rivalry with Jacob, and the events that led to his flight. He also includes stories of Jacob, who stayed behind with Leah and still works in the bakery. In America, Esau became a food writer, but he never forgot his deep love for Leah or for his mother, though Sarah cursed him when he left home, telling him that ``you won't have family of your own... You won't have wife of your own... You won't have child of your own.'' Which all came to pass. The family history doesn't make the impact it should: Jacob's son is killed in Israel's War of Independence, and Leah, overwhelmed by grief, sleeps the rest of her life away. Though she bears another son, conception and birth do not interrupt her slumber. Nothing is resolved despite pretentious hints, fleshed out by tiresome bits of magic realism (an old aunt has miraculous suckling powers) that promise more. For all its bravado and braggadocio, this novel never quite goes mano a mano with its subject. Arm wrestling without the table.
Pub Date: Nov. 16, 1994
ISBN: 0-06-019040-X
Page Count: 384
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 1994
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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