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ESAU

Noted Israeli writer Shalev (The Blue Mountain, 1991) takes his time getting nowhere in particular as he tries to put a contemporary spin on the legendary biblical story of a lost inheritance and sibling rivalry. Set in Israel, the story is narrated by Esau, who fled to America when his beloved Leah was wooed and won by twin brother Jacob. Now in his late 50s, Esau is back home visiting his dying father, Abraham Levy, a descendant of illustrious sages but a baker by trade, who had fallen in love and married the splendid red- haired Sarah, daughter of Russian peasant converts who had immigrated to Israel early in the century. Humiliated by the loan her family made after his business was destroyed by an earthquake in 1927, Abraham soon, to Sarah's great sorrow, ignored her. Esau recalls his parents' courtship, his village childhood, his rivalry with Jacob, and the events that led to his flight. He also includes stories of Jacob, who stayed behind with Leah and still works in the bakery. In America, Esau became a food writer, but he never forgot his deep love for Leah or for his mother, though Sarah cursed him when he left home, telling him that ``you won't have family of your own... You won't have wife of your own... You won't have child of your own.'' Which all came to pass. The family history doesn't make the impact it should: Jacob's son is killed in Israel's War of Independence, and Leah, overwhelmed by grief, sleeps the rest of her life away. Though she bears another son, conception and birth do not interrupt her slumber. Nothing is resolved despite pretentious hints, fleshed out by tiresome bits of magic realism (an old aunt has miraculous suckling powers) that promise more. For all its bravado and braggadocio, this novel never quite goes mano a mano with its subject. Arm wrestling without the table.

Pub Date: Nov. 16, 1994

ISBN: 0-06-019040-X

Page Count: 384

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 1994

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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