An unconventional and quite hilarious family scrapbook.
Breezy chronicle of life with a hardworking Russian family headed by an obsessive matriarch with a “dirt phobia.”
Award-winning Israeli writer Shalev’s (Beginnings: Reflections on the Bible's Intriguing Firsts, 2010, etc.) delightful family memoir focuses on a joyful boyhood spent with his grandparents Aharon and Tonia through the decades following their migration to Palestine in the 1920s (both elders hailed from small Ukrainian villages). The author’s grandmother, Tonia, a practical, tightly-wound cleaning sensation, had always been a woman who methodically carried a dust rag on her shoulder, but the gift of a powerful General Electric vacuum sent from Shalev’s uncle was completely unexpected. The present both surprised and irritated Tonia and Aharon. Tonia was used to doing her own housekeeping unassisted by mechanical intervention, and Aharon felt it was a offering from a relative who’d swapped their adopted Zionistic beliefs for “American capitalism” by emigrating to Los Angeles, changing his name and becoming a businessman who reaped more self-satisfied rewards than the rest of the family. The author gleefully describes his hardworking grandmother’s eccentricities with affectionate amusement and without mockery. As a young boy, to help prepare for the family Seder, Shalev was allowed access to Tonia’s forbidden rooms, where he discovered abandoned furniture draped in “old-sheet shrouds,” as well as inside the typically locked, second bathroom, where the vacuum cleaner (her “svieeperrr”) sat, unused, for fear that it would become soiled if operated. The author unveils Tonia’s stringent unwillingness to allow visitors to traipse through the clean, carefully segregated house, preferring to entertain outside, and her startlingly outspoken declaration that “a young man should change girls like he does socks.” Rife with colloquialisms and native dialects, Shalev’s personal reflections of quirky uncles, family squabbles, the rich history of his Jewish heritage and the legacy of the omnipresent American vacuum touch the heart and tickle the funny bone.
An unconventional and quite hilarious family scrapbook.Pub Date: Oct. 4, 2011
ISBN: 978-0-8052-4287-4
Page Count: 224
Publisher: Schocken
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
IN THE NEWS
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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