Shalev’s third English translation (Esau, 1994) is set in post-WWII Palestine. Here, the author’s usual village legend-spinning turns out to be half stuffing and half roast goose. Illegitimate young Zayde Rabinovitch has three alleged fathers—and each contributes something or other to the boy’s physical appearance. Widower Moshe Rabinovitch, who was reared by his mother as a yellow-haired girl until he was 12 and nature could no longer be denied, provided Zayde with those blond tresses (and later with a farm); Jacob Sheinfeld, who once raised canaries—and who was abandoned by his beautiful wife Rebecca because of his infatuated pursuit of Zayde’s single mother, Judith—gave him droopy shoulders, a fine house richly furnished, and empty birdcages; and cattle-dealer Globerman, as coarse and sensual as Fyodor Karamazov, bestowed upon him huge feet and plenty of money. Zayde, who suffers under his name partly because it means “grandfather,” is born to Judith in her 11th year of living alone, her ex-soldier husband having deserted her and fled to America. Each of Zayde’s three would-be male progenitors declares himself to be the child’s actual father. The high point arrives with the appearance of an Italian ghost whose wondrous ability to imitate human forms, voices, and actions seems to be leading to a fulfilling end (which may reveal Zayde’s physical parentage) until a blow from the gods robs us of any resolution—any emerging from character, that is. The story, as retold to or by Zayde during the course of four meals from the hand of Jacob over three decades, gasps with incidental lore and pithy sayings, which may or may not fit the plot but which prick dash hopes that Shalev will ever come to grips with his tale. Even so, the village mythologizing and the proverbs (“He couldn’t say the names of wine, but his frying pan laughed and his knife danced in his hand—) will warm the hearts of many.
Pub Date: March 22, 1999
ISBN: 0-88001-635-3
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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