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FOR OUR DAUGHTERS

Will boost girls’ self-esteem while giving them concrete tools for thriving.

Affirmations from mothers to their daughters abound in this pro-girl picture book.

The opening spread shows a brown-skinned mother, dressed in a beautifully patterned orange and yellow African print dress with matching head wrap, holding a darker-skinned infant. The two gaze into each other’s eyes. This image appears inside a golden frame, held aloft by hands that match the baby’s skin. Speaking in second person, an unseen maternal narrator tells the little one, “There are billions of people in this world, but they are not you. / That’s why you are remarkable.” Throughout, girls from different cultural backgrounds, with varying skin tones and hair textures, hear negative comments from others, while the motherly voice offers a comeback for each one. “If they sneer and say, ‘Your nose is too wide,’” the narrator says, “You must hold your head high and tell them / you are a reflection of your ancestors’ beauty.” This guidance will help Black and brown children facing common microaggressions. The advice will also make children from the dominant culture aware of the damage of these hurtful remarks. Incorporating deep, rich colors, Avelino’s personable images depict joyful girls overcoming discrimination and confidently moving through the world. Several illustrations also remind girls that family and ancestors can affirm their worth.

Will boost girls’ self-esteem while giving them concrete tools for thriving. (Picture book. 4-7)

Pub Date: April 16, 2024

ISBN: 9780593428085

Page Count: 40

Publisher: Random House Studio

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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