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VITA

Winner in 2003 of Italy’s Strega Prize, this teeming, nostalgic tale should find willing American readers.

A fictionalized portrait of the author’s heroic young ancestors, immigrants to America from Italy.

The hardscrabble journey of two immigrants to Ellis Island from Naples in 1903 form the backbone of Italian novelist Mazzucco’s long-winded tale: the not-yet-12-year-old boy called Diamante and his nine-year-old cousin Vita, disgorged along with 2,000 other passengers from the Republic, and summoned to the Prince Street boarding house owned by Vita’s grocer father, Agnello, to work. There is little enjoyment of childhood for these Little Italy immigrants: Vita helps Agnello’s American Circassian mistress, Lena, cook and clean for the boarders (Agnello has a wife back in Tufo), while Diamante has to prove how tough he is by doing dangerous odd jobs such as robbing graves for the suave thuggish boarder, Rocco, who becomes a successful Mafia head. Vita and Diamante swear eternal love for each other, though fate tears them apart when Diamante must leave for work in Ohio, and delinquent Vita is sent to reform school for three years, the only education she’ll have. Eventually, she ends up working in the Ansonia Hotel kitchen, marries Rocco (who’s already married), then another boarder, before starting up a notable restaurant of her own. Diamante, meanwhile, is crushed by her disloyalty and disillusioned with the miserable lot thrown at uneducated and underpaid Italians like him. Alternate chapters weave in nonfiction elements, with Mazzucco recounting her search for the facts of her grandfather’s story.

Winner in 2003 of Italy’s Strega Prize, this teeming, nostalgic tale should find willing American readers.

Pub Date: Sept. 1, 2005

ISBN: 0-374-28495-4

Page Count: 448

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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