A missed opportunity to fully engage with a deeply serious issue
Floyd Twofeathers, a Cree teen, vents his frustrations in his secret journal, creating stories to alleviate the angst and confusion he experiences while living on the (fictional) Bitter Lake Reserve.
Suicides have become rampant, and things get even worse when a group of teen girls follows through on a suicide pact posted on social media. It is after this that Floyd feels the urgency to talk with his father, the hereditary tribal chief, to offer help to heal his community. Floyd’s mother, a medicine woman, also urges her husband to work with Floyd, but Floyd’s father, who is overwhelmed with the community’s problems, rejects them both, instead inviting a white actor to the reserve to make a movie in hopes of raising much-needed money. Meanwhile, Floyd hangs out with his friends, going fishing and playing video games even as he rallies them in support of their community and courts a beautiful young woman. This slim book struggles to maintain a consistent tone. What begins as a story addressing the serious impact of suicide in First Nations communities (including a lengthy, potentially triggering flashback to an attempted suicide early in the story) swerves jarringly to a scene in which Floyd’s parents kiss and cuddle as if they had not just learned of the newest suicides. Likewise Floyd’s high jinks with his friends and his instant infatuation with a friend’s beautiful sister (who’s described with stereotyped cliché as “exotic,” with “almond-shaped eyes” and “full ruby red lips”) distract from the suicide plotline. Furthermore, locating the story on a fictional reserve has a homogenizing effect on what is a varied and heterogeneous nation.
A missed opportunity to fully engage with a deeply serious issue . (Fiction. 12-16)Pub Date: Aug. 1, 2017
ISBN: 978-1-4594-1230-9
Page Count: 176
Publisher: James Lorimer
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play.
Garber returns to the world of bestseller Caraval (2017), this time with the focus on younger, more daring sister Donatella.
Valenda, capital of the empire, is host to the second of Legend’s magical games in a single year, and while Scarlett doesn’t want to play again, blonde Tella is eager for a chance to prove herself. She is haunted by the memory of her death in the last game and by the cursed Deck of Destiny she used as a child which foretold her loveless future. Garber has changed many of the rules of her expanding world, which now appears to be infused with magic and evil Fates. Despite a weak plot and ultraviolet prose (“He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.”), this is a tour de force of imagination. Themes of love, betrayal, and the price of magic (and desire) swirl like Caraval’s enchantments, and Dante’s sensuous kisses will thrill readers as much as they do Tella. The convoluted machinations of the Prince of Hearts (one of the Fates), Legend, and even the empress serve as the impetus for Tella’s story and set up future volumes which promise to go bigger. With descriptions focusing primarily on clothing, characters’ ethnicities are often indeterminate.
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play. (glossary) (Fantasy. 12-16)Pub Date: May 29, 2018
ISBN: 978-1-250-09531-2
Page Count: 464
Publisher: Flatiron Books
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
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