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LEON THE CHAMELEON

Watt debuts with a simple tale that is partly a celebration of physical differences and partly a lesson in color theory. Because Leon turns red when he sits on a (green) leaf, purple on (yellow) sand, and orange in (blue) water, he feels like an outsider. But this trait makes him a hero when, trailing the other young chameleons far out into the desert, he turns green under the red setting sun and so is visible from far off to the grown-up lizards coming to the rescue. Bright hues and simple shapes lend plenty of visual appeal to the illustrations, especially when the entire double-paged spread is one color (green, for instance) and Leon stands out like a sore thumb. These are the purest colors, too, strong and clear, a plus compared to what is often found in books on color. Watts explicates the ideas of primary and complementary colors next to an appended color wheel with Leon's tongue serving as a pointer. Perfect for the Little Blue and Little Yellow set, or as an alternative to Ellen Stoll Walsh's Mouse Paint (1989). (Picture book. 5-7)

Pub Date: March 1, 2001

ISBN: 1-55074-867-X

Page Count: 32

Publisher: Kids Can

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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THE TOAD

From the Disgusting Critters series

A light dose of natural history, with occasional “EWWW!” for flavor

Having surveyed worms, spiders, flies, and head lice, Gravel continues her Disgusting Critters series with a quick hop through toad fact and fancy.

The facts are briefly presented in a hand-lettered–style typeface frequently interrupted by visually emphatic interjections (“TOXIN,” “PREY,” “EWWW!”). These are, as usual, paired to simply drawn cartoons with comments and punch lines in dialogue balloons. After casting glances at the common South American ancestor of frogs and toads, and at such exotic species as the Emei mustache toad (“Hey ladies!”), Gravel focuses on the common toad, Bufo bufo. Using feminine pronouns throughout, she describes diet and egg-laying, defense mechanisms, “warts,” development from tadpole to adult, and of course how toads shed and eat their skins. Noting that global warming and habitat destruction have rendered some species endangered or extinct, she closes with a plea and, harking back to those South American origins, an image of an outsized toad, arm in arm with a dark-skinned lad (in a track suit), waving goodbye: “Hasta la vista!”

A light dose of natural history, with occasional “EWWW!” for flavor . (Informational picture book. 5-7)

Pub Date: July 5, 2016

ISBN: 978-1-77049-667-5

Page Count: 32

Publisher: Tundra Books

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: May 1, 2016

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