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WINDS OF SALEM

From the Witches of East End series , Vol. 3

Some readers may struggle to pay attention.

In the third installment of de la Cruz’s Witches of East End series, the Beauchamp family must rescue one of their number from being hanged as a witch—again.

When we last left the Beauchamps, who are not only witches, but also Norse deities, the escape of Joanna Beauchamp’s long-lost son Freddie (Fryr) from limbo was causing all manner of repercussions, not least the whisking of daughter Freya (goddess of love) back to Salem just in time for the notorious witch trials. When Freya awakens in 1692 Salem, she has no memory of her past (or future). An apparent orphan, she is taken as an indentured servant into the household of Thomas Putnam, the sanctimonious and scheming farmer who was the prime mover of the witch trials. Freya soon discovers she has magical powers, very helpful in getting the endless round of Puritan women’s work done. Freya’s eternal beloved, Killian (the god Balder), appears in the guise of an eligible bachelor, whose good looks have also attracted Freya’s fellow servant and fickle friend, Mercy. Crazed by jealousy, Mercy reveals that she witnessed Freya causing cows to milk themselves and potatoes to self-harvest. Then Mercy joins the attention-seeking teenage girls whose feigned mass hysteria dooms so many accused Salem witches. Meanwhile, in the present, Freya’s family works feverishly to find a way to interrupt the witch hunt. Her parents, Joanna (Earth goddess Skadi) and Nord, aka Norman, were warned by an Oracle that although Freya, along with her sister Ingrid (hearth goddess Erda), was reincarnated after being hanged at Salem, Freya will not return to Midgard (Earth) if executed a second time. Though an introductory summary and a family tree help to keep these complex relationships, worlds and dual identities straight, too many subplots and characters, not to mention the increasingly impenetrable Norse arcana, draw focus away from the more coherent and compelling Salem plotline.

Some readers may struggle to pay attention.

Pub Date: Aug. 13, 2013

ISBN: 978-1-4013-2470-4

Page Count: 320

Publisher: Hyperion

Review Posted Online: June 22, 2013

Kirkus Reviews Issue: July 1, 2013

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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