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WITCHES OF EAST END

From the Witches of East End series , Vol. 1

Fantasy for well-read adults.

First in de la Cruz’s debut adult series about the adventures of a family of Long Island witches.

The author, known for her Blue Bloods YA series featuring undead Manhattan debutantes, again does not have to stretch for likely settings—the Hamptons are the ideal home base for the Beauchamps, a mother and two daughters, longtime residents. Quite a longtime in fact—ever since Salem witch hunters hanged the two daughters, Ingrid and Freya, who were later reborn to their mother, Joanna. After Salem, witchly higher-ups restricted the open deployment of magical powers. The Beauchamps are so deep undercover that the community they inhabit, “North Hampton,” does not appear on any map. This Hampton is refreshingly devoid of rich people until two brothers, Bran and Killian, arrive to restore Fair Haven, their ancestral mansion. Freya, a bartender, recognizes an ancient soul mate in Bran, and they announce their engagement at a lavish Fair Haven party. Nevertheless, she can’t resist shagging preternaturally handsome Killian in the bathroom during the party. Public librarian Ingrid is chafing at the magic ban—with a simple incantation, she could easily cure a distraught co-worker’s infertility. Soon Ingrid is exchanging salutary spells for contributions to the library fund. When she’s not torn between two lovers, Freya lapses back into her own peculiar brand of magic—her aphrodisiac cocktails perform as advertised. Most daringly of all, Joanna raises a local artist from the dead. But once unleashed, the white magic provokes dark retribution: An undersea miasma is killing off fish and wild life, children are contracting a deadly influenza, vampires (vacationing Blue Bloods?) are infiltrating and the police are “liking” the witches for homicide. But this is secular 21st-century New York, not puritan colonial Massachusetts. Things have changed—haven’t they? A decidedly weird mishmash of mythologies, a serpentine plot and a thicket of back stories intertwine as de la Cruz sets up the continuing saga, but it all gels magnificently.

Fantasy for well-read adults.

Pub Date: June 1, 2011

ISBN: 978-1-4013-2390-5

Page Count: 288

Publisher: Hyperion

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

Categories:
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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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SOMETHING WICKED THIS WAY COMES

A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.

Pub Date: June 15, 1962

ISBN: 0380977273

Page Count: 312

Publisher: Simon & Schuster

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: June 15, 1962

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