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ENTHRALLED

PARANORMAL DIVERSIONS

These short stories are loosely connected by a very openly interpreted journey motif. Psychics, genies, angels and gargoyles...

A solid collection of stories that prove that all any supernatural creature wants to do is date or eat teenage protagonists.

These short stories are loosely connected by a very openly interpreted journey motif. Psychics, genies, angels and gargoyles join fairies and vampires to terrorize and romance their fellow characters. The diversity in authors allows for the sometimes-neglected horror implied in paranormal stories to be spotlighted, as in Carrie Ryan's zombie thriller, "Scenic Route," and Jennifer Lynn Barnes's "The Third Kind," about sisters with unavoidable compulsions. Many of the authors base their stories in the existing worlds of their other novels—luckily, most of these standalones work, though not all shake off that teaser taste. Sarah Rees Brennan's "Let's Get This Undead Show on the Road" follows a vampire in a boy-band and stands out with its perfect blend of snark and sincerity. It's followed in a one-two punch by Jeri Smith-Ready's intense and earnest "Bridge." While not every story's as strong as those (some are downright forgettable), in a buffet of so many flavors readers can always skip to the next story with a good chance of finding something more to their liking. 

Pub Date: Sept. 20, 2011

ISBN: 978-0-06-201579-2

Page Count: 464

Publisher: Harper/HarperCollins

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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