One Flew Over the Cuckoo’s Nest meets The Hunger Games—and what an offspring!
Virginia, 1954: A woman identified as Dorothy Frasier awakens on a bus en route to a psychiatric hospital. But does she belong there?
There are signs that Dorothy may not belong at Hanover State Psychiatric Hospital, most notably her lightning-fast reflexes and her ability to quickly calculate everything from how to pick a lock to the best way to beat a creepy orderly. And then there are the flashes of “memory” that seem to jerk her back to the future: 2035, to be exact. Here she is identified as rebel leader Beatrix “Bix” Parris, and reminded that she’s been sent to 1954 in order to intercept a virus that will wreak havoc in her present time, decimating 90% of the population. Back in ’54, these “delusions,” as well as Dorothy’s general lack of compliance, lead to a “protocol” which consists of heavy sedation and multiple sessions of electroshock therapy until her husband, Paul, intervenes. In the future timeline, Bix meets her twin brother and is filled in on all the details of their lives, the virus, and their roles in the fight, including the fact that she has less than 24 hours to find her Hanover contact and take action to save the world, fighting to find her allies and evade her enemies—and possibly face some other upsets in the timeline. This novel is a cinematic ride. The genre mashup is a little daunting and overly dramatic in the beginning, but once the intrigue—and then the dystopian action—kicks in, you might as well strap in and suspend disbelief. What’s real? We don’t fully know—and it really doesn’t matter. Dorothy/Bix is a kick-ass feminist hero, and the novel comments on the horrors of 20th-century mental health “treatments” for women as well as the anarchic ravages of a virus-infested world. The word bedlam was derived from a mental hospital so infamous it now stands for absolute chaos. This novel is “bedlam” in every way.
One Flew Over the Cuckoo’s Nest meets The Hunger Games—and what an offspring!Pub Date: Aug. 19, 2025
ISBN: 9781250358677
Page Count: 384
Publisher: Henry Holt
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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