by Mem Fox ; illustrated by Freya Blackwood ‧ RELEASE DATE: Nov. 16, 2021
A soft touch of peace for a life well lived.
A full life is depicted.
Fox’s gentle prose begins with a tiny star falling from the sky. The narrator is careful to reassure readers that “this happens all the time.” In a twist expressed so straightforwardly it feels possible, the text relates that it “turned into a baby!” The interracial couple that finds the baby wraps it in a star-covered quilt. That blue, cozy blanket stays with the child, a steadfast marker for readers to follow as the child grows and changes (but is never gendered). “It grew older and older, / and older still. / And even older than that. / The longer it lived, the more it was loved.” That once-tiny star is now depicted as a brown-skinned human with straight, black hair, surrounded by family and friends. Then, as once it grew larger, it now begins to shrink, stooped over, using a walker. Depicted as a frail, smiling elderly human, it settles in to the very same chair into which the star first fell. Suddenly, all that is left is the quilt. The loved ones, all mourning, seek comfort in looking at the sky and seeing the star once again. “Every heart was lightened. / Every heart began to mend.” Grief can feel impossible, but Fox’s words whisper straight to one’s heart while Blackwood’s characteristically warm, smudgy illustrations exude warmth. A true sense of community is found within; neighbors gather, animals flock together. Blackwood and Fox embrace growth and love. (This book was reviewed digitally.)
A soft touch of peace for a life well lived. (Picture book. 4-8)Pub Date: Nov. 16, 2021
ISBN: 978-0-593-30401-3
Page Count: 40
Publisher: Knopf
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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