Overall, this Little Critter app benefits from deeper interactive features as well as improved character and voice work over...
The physical characteristics of Mayer's guinea pig–like Little Critter characters may not be evolving much, but the apps based on their books are. This 20-year-old take on the Grimm fairy tale is translated into a much richer experience than such previous iPad adaptations of his amusing storybooks as Just Grandma and Me, developed by Oceanhouse Media (2010).
While past Critter apps have been static experiences with extensive sound effects and a few passive games (trying to find hidden spiders in the illustrations, for instance), this one features more animation, smarter games (including word and picture matching) and some hilarious diversions in the story itself that aren't part of the original text. The artwork is typical—busy but filled with small jokes and witty touches—but enlivened here by sharp, expressive movement and some well-executed voice work. The Wolf, in particular, is a hiliariously hammy villain: "I believe my ears are in perfect proportion to my nose, don't you think?" he asks when questioned about his looks. "Yes, they are humongous!" Little Red Riding Hood chirps. A sidekick mouse who frequently warns about what's coming next isn't so entertaining, and page transitions are rough and erratic for such an otherwise polished production. Curiously, there's an ongoing coin-collecting game that rewards points for tapping on all items shown on the screen. It doesn't add much to the story and makes the app seem as if it's trying to be more game than story. It's not needed; the story would work fine without it, and the point tallying is distracting.
Overall, this Little Critter app benefits from deeper interactive features as well as improved character and voice work over earlier iterations. (iPad storybook app. 4-8)Pub Date: Sept. 12, 2011
ISBN: N/A
Page Count: -
Publisher: Sterling
Review Posted Online: Oct. 24, 2011
Kirkus Reviews Issue: Nov. 15, 2011
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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