THE FLOWER GIRL WORE CELERY

Little Emma’s cousin is getting married, and such a delightful mix of something old, something new it is.

Emma’s cousin Hannah has asked her to be the flower girl at her upcoming nuptials. Emma is excited and happy but confused. Her mother describes her dress as “celery,” and Emma, taking this literally, believes that she will walk down the aisle adorned with stalks of the green vegetable. She also mishears when told that she will be accompanied by a ring bearer and thinks that a bear will be her escort. But the biggest assumption is based on cousin Hannah’s intended, who has the gender-neutral name Alex. Alex, readers learn later in the story, is also female. The wedding is a blend of traditional and modern Judaism. The ceremony is held under a canopy, wine glasses are shattered by the newly married couple, the ketubah, or wedding contract, is read, but the rabbi is a woman—the nontraditional element. Gordon’s story of a same sex marriage is happy and positive. No adults or children raise eyebrows or concerns beyond Emma’s initial surprise. The entire affair is oy!—such a joy. Clifton-Brown’s colorful and humorous illustrations of the white family with round faces and rosy red checks depict a most happy assembly.

A wedding of the new century joyously wrapped in tradition.