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THE PRODIGAL DAUGHTER

No solutions here, and by the end it’s not even clear what the question is.

A stalwart member of the Church of Jesus Christ of Latter-day Saints wrestles with her faith.

Kurt and Linda Wallheim have hit a rough patch in their longtime marriage. Now that their children are grown and out of the house, Linda, who’s always had a feminist streak, is increasingly restless with the way their religion treats women. Marriage counseling with Dr. Candice Zee makes her want “to light Kurt’s entire wardrobe on fire—no, to burn down the entire house.” Still, it’s not clear that her efforts to become her own person, even if they don’t lead to arson, will have a therapeutic effect in the long run. Her current mission, prompted by her son Joseph’s worried call to tell her that the 15-year-old who babysits his toddler daughter has suddenly disappeared, takes her from her suburban home to the mean streets of Salt Lake City, where she mingles with a homeless population whose lack of access to personal hygiene products may be the least of their problems. When she does locate Sabrina Jensen and learns about the traumatic event that sent the teenager fleeing her home, Linda seems either ignorant of or oblivious to civil laws that require the reporting of crimes and discourage housing minors without their parents’ consent.

No solutions here, and by the end it’s not even clear what the question is.  

Pub Date: May 25, 2021

ISBN: 978-1-641-29245-0

Page Count: 264

Publisher: Soho Crime

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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I WHO HAVE NEVER KNOWN MEN

I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').

Pub Date: May 1, 1997

ISBN: 1-888363-43-6

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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