A beautifully illustrated poem that speaks of every child’s complex, imaginative character.
A young child’s affirmation of their potential in the world.
On the opening spread, a parent drives a well-packed car along a road at twilight, with two children in the back seat. The following spread zooms in to show the elder one, a kid with brown skin and black hair pulled into a puffball, peering up at the moon. Rhyming stanzas capture the child’s recognition of aspects of themself in the world—bright as the moon in the night sky, loud as the waves at the shore, looking up at the sky like the flowers in the field. But, they say, “that still isn’t all that I am.” Carlin’s evocative, often impressionistic illustrations embed the child in the natural world, depicting them towering next to giant evergreens, tiny as the bunnies in their underground den, silhouetted in a tent during a storm. Carlin centers the child’s experience by painting them in color, with other family members in monotone. In fact, the palette of brilliant greens, luminous yellows, deep dark blues, striking grays, and more invites repeat viewings of each spread. Clark’s stanzas tumble along in a gentle yet powerful rhythm that begs to be read aloud slowly and savored. As the child comes to understand this elemental self, they also realize that they are yet to be—still moving along the journey of their life.
A beautifully illustrated poem that speaks of every child’s complex, imaginative character. (Picture book. 4-7)Pub Date: June 29, 2021
ISBN: 978-1-970147-46-9
Page Count: 32
Publisher: Compendium
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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