A nuanced study of the power plays and violence sparked by colonialism.
A cross-racial romance complicates tensions in 19th-century colonial Mozambique.
The second novel in this trilogy (following Woman of the Ashes, 2018) is set in 1895 amid territorial fighting among Portuguese colonists, the powerful native leader Ngungunyane, and the VaChopi, a rival tribe. But its heart is the affair between Imani, a young VaChopi woman, and Portuguese Sgt. Germano de Melo. As the story opens, Imani’s family is trying to ferry an injured Germano to safety, finding refuge in a church whose priest is ostensibly Catholic but who has fallen for a native healer and adapted his faith to match. (“Here, even Christ would have thrown in the towel,” he proclaims.) Couto’s narrative is designed to highlight how opposing sensibilities merge and repel each other; the novel alternates between Imani’s narration and letters from Germano and other Portuguese military leaders. Germano needs to decide whether his love for Imani is worth sacrificing his military position; meanwhile, Imani is trying to balance whether she can keep her relationship with Germano while also, at her father’s insistence, being part of a peace offering with Ngungunyane. It’s best to start with Woman of the Ashes to feel better grounded in this dynamic but also because Couto’s writing has a richer, more allegorical feel there; Imani’s voice in the first novel has a dreamlike cast, the better to capture the disorientation and fear that marks her tribe’s precarious position; here the prose is more flatly descriptive. Still, the second novel offers a helpful summary of the first and provides a stand-alone story with its own intrigues, as battles between the colonists and colonized intensify, and a late-breaking plot twist sets up the concluding novel on both symbolic and plot levels.
A nuanced study of the power plays and violence sparked by colonialism.Pub Date: Sept. 8, 2020
ISBN: 978-0-374-25689-0
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 18, 2020
Kirkus Reviews Issue: July 1, 2020
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Haig’s positive message will keep his fans happy.
A British widow travels to Ibiza and learns that it’s never too late to have a happy life.
In a world that seems to be getting more unstable by the moment, Haig’s novels are a steady ship in rough seas, offering a much-needed positive message. In works like the bestselling The Midnight Library (2020), he reminds us that finding out what you truly love and where you belong in the universe are the foundations of building a better existence. His latest book continues this upbeat messaging, albeit in a somewhat repetitive and facile way. Retired British schoolteacher Grace Winters discovers that an old acquaintance has died and left her a ramshackle home in Ibiza. A widow who lost her only child years earlier, Grace is at first reluctant to visit the house, because, at 72, she more or less believes her chance for happiness is over—but when she rouses herself to travel to the island, she discovers the opposite is true. A mystery surrounds her friend’s death involving a roguish islander, his activist daughter, an internationally famous DJ, and a strange glow in the sea that acts as a powerful life force and upends Grace’s ideas of how the cosmos works. Framed as a response to a former student’s email, the narrative follows Grace’s journey from skeptic (she was a math teacher, after all) to believer in the possibility of magic as she learns to move on from the past. Her transformation is the book’s main conflict, aside from a protest against an evil developer intent on destroying Ibiza’s natural beauty. The outcome is never in doubt, and though the story often feels stretched to the limit—this novel could have easily been a novella—the author’s insistence on the power of connection to change lives comes through loud and clear.
Haig’s positive message will keep his fans happy.Pub Date: Sept. 3, 2024
ISBN: 9780593489277
Page Count: 368
Publisher: Viking
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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