Young readers will enjoy this spirited debut with insightful integration of cultural exploration.
Friendly sibling rivalry sparks a face-off between the two Japanese martial art forms, sumo and aikido.
Spare rhyming text introduces Japanese-American Sumo Joe as a “Strong big bro, / built for sumo,” who is “gentle, though.” While sister Jo must go to aikido, Joe’s friends arrive to “practice sumo!” His two friends, both boys of color, are quick to help tie the special belt and construct their makeshift wrestling ring with various throw pillows. They continue with “teppo,” or drills, including flinging salt to purify the “dohyo,” or ring. Japanese terms, printed in boldface on first occurrence, are seamlessly incorporated into the text, explaining different aspects of sumo. An author’s note and glossary also provide extended cultural notes on both martial art forms, including sumo’s origins in Shinto. Iwata provides a warm pastel palette with characters full of movement and personality. This is especially apparent when Jo returns from practice with her hair flying behind her. Jo is tenacious in challenging her brother despite the traditional sumo practice that women cannot enter the ring once it is purified. When Sumo Joe accepts, readers are treated to a lively sibling duel with a good-natured conclusion. With a saturation of ninja/ninjutsu books in the market, this is a refreshing new take on the martial arts genre.
Young readers will enjoy this spirited debut with insightful integration of cultural exploration. (Picture book. 3-6)Pub Date: May 14, 2019
ISBN: 978-1-62014-802-0
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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