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CHLOE, INSTEAD

While the story isn't new, this fresh-looking take on it will be appreciated in families welcoming a new addition to the...

Adjusting to a new sibling is familiar territory in children's literature; the recognizable plot here is livened up with lively retro-style illustrations.

Told from the point of view of an older sister who'd wished for a mini-version of herself, this features irrepressible newcomer Chloe, who bangs on the piano while her big sister is trying to play it, eats the crayons her big sister loves to draw with, shreds picture books and generally wreaks havoc. Unlike other classic takes on the subject such as Kevin Henkes' Julius, the Baby of the World (1991), the older sister's change of heart isn't catalyzed by an outsider's criticism of the new baby. Rather, she comes to it herself, discovering that Chloe can in fact participate in her own way: by dancing (and burning off that excess toddler energy, familiar to all parents) while big sis plays piano. The illustrations, digitally rendered and finished with ink and watercolor, have a painterly look, with textures, visible brush strokes and vivid colors. The girls are portrayed in stylized fashion, with outsize expressive eyes (deep brown on one, bright green on the other) and ’60s-style hairdos (a smart bob on big sis, a high ponytail on Chloe).

While the story isn't new, this fresh-looking take on it will be appreciated in families welcoming a new addition to the household. (Picture book. 3-6)

Pub Date: May 1, 2012

ISBN: 978-0-8118-7865-4

Page Count: 32

Publisher: Chronicle Books

Review Posted Online: March 13, 2012

Kirkus Reviews Issue: April 1, 2012

Categories:
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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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ONE FAMILY

A visually striking, engaging picture book that sends the message that everyone counts.

A playful counting book also acts as a celebration of family and human diversity.

Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”

A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)

Pub Date: May 26, 2015

ISBN: 978-0-374-30003-6

Page Count: 32

Publisher: Frances Foster/Farrar, Straus & Giroux

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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