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AEGOLIUS CREEK

A surprising and moving account of a man’s connection to his home.

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A defiant man fights for his right to continue logging on his property in Thorp’s novel.

Don Karlsson, a logger, is first introduced to readers raising his middle finger to a crew of firefighters. Don, who “spent most of his childhood doing precisely whatever he was told not to do,” became more responsible after marrying and having three children, but his anti-authority streak remains. Whether they be firefighters, a professor in search of a new species, or the local sheriff, Don treats everyone who steps foot on his property with suspicion, expressing his feelings in a sporadic Faulkner-lite internal monologue: “That’s when I see them lawmen for the first time. Serious lookin’ fellas. When one shows up, he’s here for a talk. When it’s more than one, it’s certain they’re takin’ someone with ‘em with they leave.” When a new species of vole is discovered on his property, Don is prevented from cutting down any of the trees that he’s planted there throughout his life. To gain back his freedom (as he sees it), Don calls on his three adult children, all with differing opinions on his best course of action. What follows turns into a legal thriller, with informants and major revelations in trial scenes. Though the narrative moves in a more conventional direction in the second half, Thorp’s novel is distinctive in its layering of facts about the geography, the aforementioned shifts into Don’s perspective, and a deep bench of side characters brought richly to life. If the pacing occasionally stalls as the text is interrupted by departures into descriptions of nature, the prose is often beautiful: “The house with its tin roof and clapboard siding, dirty and decaying, is the remnant of a dream, an embodiment of one man’s struggle to find a place in the world, a tiny corner of the great globe he could once and forever call his own.”

A surprising and moving account of a man’s connection to his home.

Pub Date: Sept. 16, 2025

ISBN: 9798992040548

Page Count: 198

Publisher: Type Eighteen Books

Review Posted Online: July 24, 2025

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HEART THE LOVER

That college love affair you never got over? Come wallow in this gorgeous version of it.

A love triangle among young literati has a long and complicated aftermath.

King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.

That college love affair you never got over? Come wallow in this gorgeous version of it.

Pub Date: Oct. 7, 2025

ISBN: 9780802165176

Page Count: 256

Publisher: Grove

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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