by Michael Arndt ; illustrated by Irena Freitas ‧ RELEASE DATE: May 11, 2021
Both easy-reading and pleasantly thoughtful.
Rhyming couplets give an original explanation of the path from thoughts to words to action, with the art using community gardening as an example.
The artwork is light and playful, with figures—both human and animal—rendered with simple lines and varied skin tones and backgrounds in springtime colors. The protagonist is a light-skinned, blond child who stretches from bed beneath the first short verse, which starts with the book’s title. A gently puffy thought balloon containing flowers and bumblebees sprouts from the child’s head. Each double-page spread follows the child and that balloon through breakfast, the walk to school, and then the school day and what follows. As the child goes through these activities, the text continues with couplets that extend the metaphorical comparisons, saying that thoughts are “clouds,” “dreams,” “feelings,” “breath,” and more. The art is not particularly complementary to such notions as “beliefs, winds that inspire / When you feel low they lift you up higher” or “thoughts become words so please think your best.” However, its sweetness and whimsicality match the singsong nature of the text, both of which will hold the attention of little ones. Older readers will understand the sophisticated idea underneath the simplicity, as the child’s thoughts, communicated via words, lead to positive actions. “Actions are matter, thoughts that came true / Actions are words you decided to do.” Text and art come full circle on the final page. (This book was reviewed digitally with 11-by-16-inch double-page spreads viewed at actual size.)
Both easy-reading and pleasantly thoughtful. (Picture book. 4-8)Pub Date: May 11, 2021
ISBN: 978-1-984814-36-4
Page Count: 40
Publisher: Dial Books
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by JaNay Brown-Wood ; illustrated by Tamisha Anthony
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by JaNay Brown-Wood ; illustrated by Olivia Amoah
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by JaNay Brown-Wood ; illustrated by John Joven
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