A werewolf novel with teeth, from the author of Nightlight and Sleepwalker (both 1990). Never has the transformation of man into wolf been portrayed with such psychospiritual intensity as in the narration of Benjamin Byrd, a meek San Francisco psychologist who describes his evolution into a vibrant force of nature. Byrd, an avid ``collector,'' begins his new life when his car clips the dog of the alluring Johanna Fisher. Grateful for his concern, Johanna introduces Byrd to someone who sells him a bizarre set of fangs set in silver. Under their influence, Byrd nightly begins to changeat first unwittingly, then consciouslyinto a werewolf, ``running in the night.'' So enamored is he of his new freedom, power, and sensations, and of his infatuation with Johannasoon revealed as a fellow werewolf, also transformed by the fangsthat Byrd accepts the accompanying bloodlust, including his killing and eating of two people. However, when his wife leaves him for another man whom he vengefully devours, Byrd tastes remorsewhich, along with police pursuit of the ``Night Beast'' terrorizing the city, forces him and Johanna to flee to the Canadian wilderness. There, in a hard but exhilarating plunge into raw nature, Byrd lopes with wolves, fights a wildcat, and eludes hunters; at the same time, he finds himself growing in compassion for all living things, even for the renegade FBI agent who tracks him down and whom he kills. This compassion compels him to return to S.F. to confess his crimes and to destroy the fangs; but, as Johanna warns, ``Our lives are rich with surprise''including a cathartic bloodbath and a final dash for freedom. Overlong, overcomplicated, and shamelessly melodramatic, with cliffhanging chapters and much emoting; but Cadnum's swollen style and poetic prose well suit his hero's Byronic status, helping to make this the most romantic and thoughtful of werewolf novels.
Pub Date: June 3, 1991
ISBN: 0-88184-728-3
Page Count: 272
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1991
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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