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THE HORSES OF THE NIGHT

Cadnum (Ghostwright, 1992, etc.) tells a subtly shaded (and sometimes opaque) tale that flickers between illusion and reality, psychological and occult terror: Did Stratton Fields sell his soul for power—or are the deaths of his enemies and the triumph of his career due not to infernal intervention but to his own homicidal madness? Stratton, who narrates, is favored to win a competition to redesign Golden Gate Park: Though he's known as an architectural lightweight, his plans for the park are extraordinary; moreover, he's a scion of San Francisco's most prominent family. But Stratton learns from contest head—and old family friend—Blake Howard that the award will go to someone else because design-mogul Ty DeVere, who hates the old-moneyed Fieldses, has bribed Howard and rigged the award against Stratton. To Stratton's shock, however, the winner kills himself on TV, confessing the fix, and, the next day, Howard is found murdered—a crime the cops suspect Stratton of. Meanwhile, Stratton is haunted by an unseen presence that finally coalesces into a beautiful woman who tells him, ``Your enemies are ours,'' and then vanishes—an apparition soon followed by that of Stratton's dad, eight years dead, who warns his son to ``Accommodate Them.'' Soon after, DeVere is also dead, perhaps murdered, and Stratton's career skyrockets—but emotional disaster strikes when the architect's fiancÇe, Nona Lyle, is beaten into a coma: revenge wreaked upon Stratton by DeVere's mentor, allusive billionaire Peter Renman. Further blows follow—including revelations of familial madness and murder—as Stratton wrestles with the question of his sanity, while all along he grows in worldly and personal power—power that he can turn to good...or evil. Beautifully observed—typical of Cadnum—and effectively disturbing, though literal-minded readers will find the unresolved tightrope walk between phantasm and hallucination as frustrating as it is provocative.

Pub Date: July 15, 1993

ISBN: 0-88184-930-8

Page Count: 320

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1993

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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