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BOOKENDS

COLLECTED INTROS AND OUTROS

Eclectic, exuberant fandom from Chabon.

The Pulitzer Prize–winning author goes his own way writing about some of his favorite books and comics.

Chabon (Pops: Fatherhood in Pieces, 2018, etc.) eagerly returns to the beloved genres of his youth in this joyous collection covering nearly 20 years of introductions, prefaces, forewords, and afterwords to adventure tales, sci-fi, ghost stories, comic books, and his own books, all written in the “hope of bringing pleasure to the reader—to some reader, somewhere.” He confesses he read Norton Juster’s The Phantom Tollbooth at least five or six times. Though it didn’t make him want to be a writer—that came later with Arthur Conan Doyle—Juster’s “world of wonders” still gives him a “tiny thrill of nostalgia and affection for the wonderful book.” Stop “reading this nonsense,” he chides, and go read the book. That advice reflects a common theme in this collection: Chabon, the fan, urging readers to read these stories. He firmly believes M.R. James’ ghost story, “Oh, Whistle, and I’ll Come to You, My Lad,” is one of the “finest short stories ever written.” He confesses that the “splendor and fragility” of Ray Bradbury’s story “The Rocket Man,” which Chabon first read when he was 10, was the “most important short story in my life as a writer.” Bradbury “gave me my first everlasting lessons in literary style.” Chabon waxes euphoric about the “remarkable artistic achievement” of Michael Moorcock’s heroic fantasy, The Sailor on the Seas of Fate, as he does about Howard Chaykin, the “craftsman, an artisan of pop,” and his experiments in comic book art. There are two pieces about Chabon’s abandoned, early “disaster,” Fountain City, one on Summerland, and one on The Mysteries of Pittsburgh and discovering his need to write in “traditional, bourgeois narrative form.” The author closes with a couple liner notes about Mark Ronson and the Pittsburgh “post-punk” band Carsickness.

Eclectic, exuberant fandom from Chabon.

Pub Date: Jan. 22, 2019

ISBN: 978-0-06-285129-1

Page Count: 192

Publisher: Perennial/HarperCollins

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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