by Michael Chabon ‧ RELEASE DATE: May 22, 2018
Even when he’s driving at cruising speed, Chabon takes his readers for an enjoyable ride.
A compact collection of thematically linked essays, perfectly timed for Father’s Day.
Acclaimed novelist Chabon (Moonglow, 2016, etc.) takes a breezy approach in these meditations on fatherhood. The author demonstrates subtly how his own relationship with his father, whom he plainly loves but finds removed and difficult, has influenced his relationships with his children. Will his kids ever write, as he does in the powerful title essay that concludes the collection, that their father “will in other ways disappoint, disillusion, or unfavorably surprise me over the coming decades”? Not if he can help it, though he recognizes that the child-father relationship is fraught with challenges and is perhaps inherently problematic. Though he loves baseball, Chabon finds himself discouraging his son from playing for some of the same reasons his own father prevented him from playing it (pressure, failure, parents behaving like jerks). Yet he ultimately permitted his son to join—throughout, he is a very permissive parent, more permissive than his father’s generation was likely to be—and his son had a miserable time. This caused the father to question his own lifelong devotion to the sport. His lament about kids' no longer having sandlot pickup games is by no means original, but rarely has it been expressed so well: “I got reminded, every game, that this was the world my children live in: the world in which the wild watershed of childhood has been brought fully under control of the adult Corps of Engineers.” The author combines perfect pitch of tone with an acute eye for detail, whether reporting on his 13-year-old son’s unlikely emergence as a fashion savant—“where’d you get this kid?” designer John Varvatos once asked him. “I really have no idea,” responded the author—or trying to navigate his way through reading Huckleberry Finn aloud to his children without repeating a word that makes him recoil.
Even when he’s driving at cruising speed, Chabon takes his readers for an enjoyable ride.Pub Date: May 22, 2018
ISBN: 978-0-06-283462-1
Page Count: 144
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
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by Michael Chabon ; illustrated by Jake Parker
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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