A cotton-candy science thriller, Crichton's first novel in seven years matches neither the hardcore suspense nor the wit of his The Andromeda Strain, The Great Train Robbery, or Congo. But this spirited tale of a science team sent to explore a spaceship found on the Pacific floor does engross via its rich seeding of techno/oceanic lore and a happy plot that bounces merrily along from one surprise to the next. Reflecting his own march into middle-age, Crichton here offers his oldest hero yet, 53-year-old psychologist Norman Johnson, expert in the embryonic field of alien contact. Johnson is whisked off by the Navy to the South Seas along with five other scientists, most notably young black math-whiz Harold Adams and pretty zoologist Beth Halpern. After a shocking debriefing—they're told about the alien ship lying 1000 feet below the waves—the five descend by minisub to a deep-sea habitat. From there, the band explores the spaceship—which they deduce is an earth ship that traveled here from the future via a black hole—and find the sphere: a 30-foot wide hollow silver ball, clearly an alien artifact. All this is intriguing stuff, but without much tension; so Crichton dusts off an old ploy; he isolates his characters by whipping up a typhoon that cuts off surface aid, and then transforms the sphere into a Pandora's box of horrors. Adams finds his way into the sphere; after he emerges, it starts communicating via the habitat's computer, claiming to be hosted by an alien named "Jerry." Cute? Not when "Jerry" takes credit for the deadly jellyfish and giant squid that attack the habitat, killing all but Adams, Beth, and Norman. Norman and Beth soon figure out that "Jerry" is really Adams, who's been empowered by the sphere to make nightmares come true; but when they knock him out, the attacks continue, setting up Crichton's final conjuror's cache of tricks and twists, and a pleasingly upbeat ending. This sphere's as lightweight as a balloon floating up and away; but the ascent is swift, smooth, and loads of fun.
Pub Date: June 8, 1987
ISBN: 0062044915
Page Count: 544
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: May 15, 1987
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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