by Michael Eric Dyson ‧ RELEASE DATE: Jan. 17, 2017
The readership Dyson addresses may not fully be convinced, but it can hardly remain unmoved by his fiery prose.
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The provocateur-scholar returns to the pulpit to deliver a hard-hitting sermon on the racial divide, directed specifically to a white congregation.
Though Dyson (Sociology/Georgetown Univ.; The Black Presidency: Barack Obama and the Politics of Race in America, 2016, etc.) may be best known for his writings on race and culture, he is also an ordained minister, and it is this role and voice he assumes in his latest manifesto. The book is structured as a religious service, and its cadences practically demand to be heard rather than read. Here is what he calls “a plea, a cry, a sermon, from my heart to yours,” because “what I need to say can only be said as a sermon,” one in which he preaches that “we must return to the moral and spiritual foundations of our country and grapple with the consequences of our original sin.” Not that the faith Dyson espouses is specifically or narrowly Christian or directed solely to those of that religion. In his recasting, the original sin might be seen as white privilege and black subjugation, addressed throughout as a white problem that white people must take significant steps to confront—first, by accepting that “white history disguised as American history is a fantasy, as much a fantasy as white superiority and white purity. Those are all myths. They’re intellectual rubbish, cultural garbage.” The author demands that readers overcome their defensiveness and claims to innocence and recognize how much they’ve benefitted from that myth and how much black Americans have suffered from it—and continue to do so. Dyson personalizes the debates surrounding Black Lives Matter and the institutional subjugation of black citizens by police. He also proposes a form of reparations that is individual rather than institutional, that conscientious white people might set up “an I.R.A., an Individual Reparations Account” and commit themselves to the service of black children, black prisoners, black protestors, and black communities.
The readership Dyson addresses may not fully be convinced, but it can hardly remain unmoved by his fiery prose.Pub Date: Jan. 17, 2017
ISBN: 978-1-250-13599-5
Page Count: 240
Publisher: St. Martin's
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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