An uneven but overall impressive debut.
Life gets complicated when two people quickly move from drinks to passion to cohabitation and trying to conceive amid family pressures and the inescapable burdens of the past.
Henry, a successful New York fertility doctor of 55, meets Costanza, an Italian American translator of 39, while he is speaking at a conference in Florence and shepherding his son Andrew around museums. But Andrew and Costanza have already met, and something has clicked there, too. Frank, a literary critic, showed himself to be a smart, observant writer with his first book, The Mighty Franks (2017), a memoir of Hollywood and familial dysfunction. So he avoids anything as obvious as a simple romantic triangle in his fiction debut. Costanza meets Henry again in Manhattan, where she soon agrees to move in with him and shortly thereafter begins the IVF protocol because of her age and the trouble she had conceiving with her late husband, a famous Roth-like novelist. Frank is insightful and sympathetic on the mental and physical toll of her treatments, and he has a strong sense of family dynamics and crackling dialogue, especially in any scene featuring Henry’s crotchety father or cynical other son. But the novel has a few problems. The cast is almost exclusively white and wealthy, which may dilute sympathy for all the shadows that darken their doorman-building lives. Hints about the plot’s central revelation are fairly obvious, including moments of puzzling recognition and Andrew’s alluding to Shakespeare’s Hamlet and saying, “I am too much in the sun.” Some of the writing tends to melodrama, and the sex scenes can be painful: “He didn’t know if he was inside her or she was inside him. Their crotches were joined, soaked; electric.” This from a fertility specialist?
An uneven but overall impressive debut.Pub Date: Oct. 8, 2019
ISBN: 978-0-374-29838-8
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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