Skip this feast
Pirates descend on the first Thanksgiving, and it’s not a pretty sight.
When Cap’n McNasty and the crew of the Knotty List find themselves with an empty galley, they follow their noses to Plymouth Rock. Invited to the table, they seat themselves and promptly start stuffing a giant sack with the bounty. When their hosts notice, the titular food fight erupts, with pies and pumpkins flying. The pirates beat a retreat with their loot only to discover when they get back to their ship that but one pea remains to be split among them. Young readers will wonder how that happened, as there is no evident hole in the sack; close examination of the pirates’ flight reveals that the mouth of the sack may not be held quite closed, though it’s not at all clear that this is the case in Jaskiel’s rather frantic painting. Impossible physics aside, this title is an eminently skippable one, as there’s hardly any stereotyping opportunity lost. The pirate captain himself has but one eye, one hand, and one leg; the Pilgrims are beneficent, and the Wampanoag guests (barely mentioned in the text) are hawk-nosed and bare-chested. There’s lots of disruption going on, but none of it is to the foundational myth of the first Thanksgiving. Add to this confusing compositions and limping verse, and there’s lots of reasons to leave this one on the shelf.
Skip this feast . (Picture book. 4-7)Pub Date: Sept. 1, 2017
ISBN: 978-1-4556-2285-6
Page Count: 32
Publisher: Pelican
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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