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BIG AND LITTLE ARE BEST FRIENDS

A book whose theme of opposite personalities being best friends is a welcome, uplifting one but whose illustrations lack...

An elephant and a mouse are best friends even though they have different tastes in just about everything.

Big, an elephant, and Little, a mouse, enjoy a close friendship that includes spending lots of time together, even though they have opposite tastes. Garland’s accessibly simple, rhyming text (set in a somewhat clunky typeface) spells it out in a no-nonsense back-and-forth style: “Big likes up, Little likes down. / Little likes square, Big likes round.” The litany encompasses a truly vast number of points on which Big and Little differ. By the end of the story, Garland reveals that Big and Little, being so different, occasionally have fights, but they always make up because they realize that they “are who they are. No need for a change!” And this message of acceptance of differences is heartening and much needed. Garland’s digitally rendered illustrations, while colorful and lively, are visually discordant. Soft blending within the mouse and the elephant figures is juxtaposed against their sharp outline edges—a visually jarring look. Impressionistic backgrounds and foregrounds, too, are interspersed with sharp-edged objects as well as photorealistic ones. The overall impression is one of too many digital effects that don’t harmonize well.

A book whose theme of opposite personalities being best friends is a welcome, uplifting one but whose illustrations lack visual coherence. (Picture book. 3-5)

Pub Date: May 9, 2017

ISBN: 978-0-545-87097-9

Page Count: 32

Publisher: Orchard/Scholastic

Review Posted Online: Feb. 19, 2017

Kirkus Reviews Issue: March 1, 2017

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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I NEED A HUG

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...

A hug shouldn’t require an instruction manual—but some do.

A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)

Pub Date: Jan. 29, 2019

ISBN: 978-1-338-29710-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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