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MAY YOUR LIFE BE DELICIOSA

The warmth of family love and support wafts enticingly through this homage to tradition.

The aroma of steamy corn deliciousness wraps Abuela’s home in incredible warmth and anticipation.

Alongside mounds of masa, earthy roasted chiles, and seasoned meat, the entire family forms an assembly line of cooperation and laughter. Family stories are shared and passed down to the kids, along with Abuela’s own unique way of creating her tamales. Each step carries a special message of encouragement: “may you always be flexible”; “may you always stand tall and proud”; “may you have lots and lots of hugs.” The tamales are wrapped in their pliable husks stuffed with dreams, hope, and love—and meat and chiles. As they steam, the family waits with paciencia—patience. Music, singing, and storytelling reverberate within the walls of Abuela’s home. Finally, the tamales are done. The savory Christmas Eve gifts are unwrapped one by one, and Abuela proclaims as the tamales disappear, “May your life be delicious!” Genhart’s loving tribute to the women of his Mexican American family is heartfelt and sincere. His mother is revealed in the author’s note to be the nieta (granddaughter) of the story, and she continues the family legacy at the book’s end with a new tamalada: “You start with una hoja….” The semibilingual text carries Lora’s illustrations, as they convey organized chaos while flickering between the vibrant colors of Christmas present and gray-toned memories of the past.

The warmth of family love and support wafts enticingly through this homage to tradition. (illustrator’s note) (Picture book. 5-10)

Pub Date: Sept. 14, 2021

ISBN: 978-1-951836-22-1

Page Count: 40

Publisher: Cameron + Company

Review Posted Online: Aug. 10, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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