Tenderly tremendous.
To prepare for the school Spelling Bee en Español, a young Latine boy gets a much-needed boost from his cherished Abuela.
Manolo seems prepared for the bee, as there are many words he can already spell: “F-a-m-i-l-i-a.” “J-u-n-t-o-s.” “C-o-r-a-z-ó-n.” Still, the lista de palabras includes words that Manolo doesn’t know how to spell, so Abuela helps him. During their lessons together, she shares stories from her childhood, when the “rule at school was ‘English only.’ ” Speaking Spanish—even in secret on the playground—resulted in punishments for the students, including being sent home, paddled, or having their mouth washed out with soap. Spurred by Abuela’s stories of the recent hurtful past, Manolo throws himself into practice even when frustrations set in. “Tengo fuerza.” On the day of the spelling bee, Manolo stands tall on stage thanks to Abuela’s strength. A measured reckoning with an oft-overlooked period in U.S. history, Genhart and Parra’s poignant collaboration explores the echoes of generational trauma and the power of societal change and hope. An author’s note explains that Genhart drew from the 1930s through the 1960s, including his mother’s experiences in Southern California. The closeness between Manolo and Abuela adds a layer of warmth to this poignant tale, making this spelling bee journey an eventual resonant triumph. The splendid, textured acrylic-based artwork is rich and vibrant; an especially inspired spread sees a determined Manolo scaling the word practico. (This book was reviewed digitally.)
Tenderly tremendous. (references, Spanish alphabet) (Picture book. 4-8)Pub Date: July 11, 2023
ISBN: 9780823450046
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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