Freedom fighters BZRK may have lost the first battle, but the war is far from over.
New York’s BZRK cell took heavy losses in series opener BZRK (2012), including one of team leader Vincent’s biots, genetically engineered, microscopic organisms controlled via psychic link. It was killed in battle with Bug Man’s nanos, the technological counterpart to the biological biots. Experiencing death over the psychic link plays havoc with Vincent’s sanity, which forces reluctant Nijinsky to step into leadership. But BZRK has no recovery time: Bug Man’s nanos are in the U.S. president, allowing him to rewire her brain and control her behavior on behalf of the Armstrong Fancy Gifts Corp. in their bid for world domination via enforced happiness. Meanwhile, on the AFGC side, holding the dominant position is harder than expected—Bug Man struggles to control the president, Burnofsky has his own agenda, the Anonymous hacker group sniffs for leaks, and some of the conjoined Armstrong Twins’ past scientific indiscretions start attracting notice. Through all of this, Plath comes into her inheritance and toys with running from BZRK and its morally dubious tactics, even though if the Armstrongs win, free will loses. With the worldbuilding’s heavy lifting taken care of in BZRK, plots upon plots race forward, almost every character is sympathetic to some degree, and microscopic world descriptions from the biots’ views are oddly beautiful. High-octane; high stakes; high cool-quotient. (Science fiction. 14 & up)
Pub Date: Oct. 8, 2013
ISBN: 978-1-60684-394-9
Page Count: 432
Publisher: Egmont USA
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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