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A BETTER MAN

A (MOSTLY SERIOUS) LETTER TO MY SON

Whether you’re a parent or simply thinking about life choices, there’s both melancholy and wisdom to be found here.

A multitalented actor and comedian digs deep to write a letter to his son about becoming a man.

Black, who got his start with the cult classic The State, is a performer with many facets. Onstage, he displays a dryly sarcastic sense of humor, and at the same time, he has been able to fully engage his goofy side in projects like Wet Hot American Summer. In his latest work of autobiography, following You’re Not Doing It Right, Black drops the act in order to deliver heartfelt lessons for his college-bound son. Opening with the Sandy Hook mass shooting, which occurred blocks from his son’s school, the author addresses his fears, hopes, and missteps in raising his children. The shooting, he writes, “felt like a tornado touching down, mindless and cruel. But also predictable. Infuriatingly predictable….In America…mass shootings are as common as sunsets.” Whether examining violence, sex, relationships, or compassion, Black lays out his thoughts and feelings with few defenses up and a comic lightness that doesn’t belie the book’s rather heavy truths. Though not as analytical as Peggy Ornstein’s incisive analyses of the sex lives of young people (although she shows up here), the narrative offers thoughtful ruminations on masculinity in the modern age. It’s also refreshing to read a memoir that doesn’t preach its messages from an author who honestly admits his imperfections. “The ideas I’m giving to you now are the best I can do now,” Black writes. “I hope you’ll tell me where you think I’ve fallen short. I hope you’ll remind me to stay open and available and receptive to new ideas. Maybe the last job of parenting is surrendering the lead and letting our kids guide us forward. We’re going to need the help.”

Whether you’re a parent or simply thinking about life choices, there’s both melancholy and wisdom to be found here.

Pub Date: Sept. 15, 2020

ISBN: 978-1-61620-911-7

Page Count: 304

Publisher: Algonquin

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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