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THE COLLABORATORS

Sharp, freshly conceived, thoroughly entertaining spy fiction.

Young CIA operative Ari Falk becomes enmeshed in a cutthroat international financial scheme with grave political implications.

Working under the cover of media investor, Falk is supposed to help Russian opposition journalists come up with stories damaging to the Kremlin. His latest success is with blogger Anton Basmanny, an openly gay provocateur known for his outrageous man-on-the-street livestreams whose viral performance video from a high-ranking Russian official's secret villa leads to the official's deposal. On the same flight as the one intended to whisk Falk to safety, tech billionaire Paul Obrandt is seen seated with a mystery woman (her identity is key) shortly before he's reported dead by an elaborately planned suicide. Not believing her Russian-born father did such a thing, his feisty and fearless 23-year-old daughter, Maya, leaves their Los Angeles home to pursue the truth in Portugal, where he left her a house. Hooking up (in both senses of the term) with Falk, she risks her life to find out not only what happened to her old man, but also where $5 billion missing from his investment account went. A classic globe-trotter, the novel spreads its cold-blooded killings among several countries. But unlike most spy fiction, it's driven in the liveliest sense by young characters who reflect their generation. Falk, a millennial who wears Weezer tees, and Maya, who was up for a part in a Peacock vampire series, are an irresistible pairing. The aspirations of youth also drive the backstory of Paul Obrandt's efforts as a 25-year-old billionaire to effect positive political change in Russia during the fading days of the Yeltsin administration through the creation of a telecom firm. Good luck with that.

Sharp, freshly conceived, thoroughly entertaining spy fiction.

Pub Date: Nov. 19, 2024

ISBN: 9781668055571

Page Count: 272

Publisher: Scribner

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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CLIVE CUSSLER GHOST SOLDIER

Exciting adventure that’s worthy of the Cussler name.

The Oregon crew takes on a villain who bears a long-festering grudge.

In 1945, a captured American soldier unwillingly took part in a ghastly experiment. In the current day, a malign force has built on that research and plans to wreak unholy vengeance on Guam and, ultimately, on the United States. A mysterious, much-feared man called the Vendor, an arms purveyor whose increasingly dangerous weapons have just slaughtered soldiers in Niger, is testing his killing craft in the Indian Ocean. The Vendor’s reach extends as far as Kosovo and the Celebes Sea off the Philippines, where North Koreans try out some of his handiwork. Luckily, a modest-looking cargo ship plies the seas. It’s the Oregon, with all the internal wizardry one might wish for. It has a Cray computer, Cordon Bleu–trained chefs, and plenty of amenities to keep a top-notch crew dedicated. The seawater-powered ship can even change its outward appearance to disguise itself as the lowliest third-world rust bucket. In charge of this marvel is Juan Cabrillo, the protagonist. The crew of the Oregon are independent contractors and undertake an urgent mission from the CIA to investigate arms trafficking by the Taliban. That leads to an inevitable collision with the Vendor, whose tentacles reach far and wide. This might spell the end for Cabrillo because the Vendor “had proven himself unequaled in unarmed combat.” The Oregon Files series is always fun, and this episode is no exception. Cabrillo is a terrific leader in top physical shape, but he and the ship itself are tested to their limits. Of course, some of Oregon’s features beggar belief, but never you mind. They fit in well with the now-and-then over-the-top writing: “A giant piece of red-hot aluminum sliced through Juan’s fragile canopy like a drunken samurai’s katana through a rice-paper wall.” It’s hard to read a simile like that and not stop and smile. And in the same action sequence, the hero hits an object “like a speeding hockey forward cross-checking a parked Zamboni.” Ouch. It all “hurt like the dickens,” which is about as salty as the language gets.

Exciting adventure that’s worthy of the Cussler name.

Pub Date: Sept. 3, 2024

ISBN: 9780593719244

Page Count: 416

Publisher: Putnam

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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