by Michael Lewis ‧ RELEASE DATE: May 1, 1992
An inquiry into sociological divergences that, for all its apparent artlessness and deceptive brevity, goes a long way toward explaining precisely what strains the commercial ties that still bind the US and Japan. With his customary acuity, Lewis (Liar's Poker, The Money Culture) focuses on two businessmen—front-line troops in the trade war now raging between the two economic superpowers. One is an insurance executive from the Midwest who worked in Tokyo for nearly two decades; the other, a Harvard-educated Japanese now based in N.Y.C., where he looks after the real-estate interests of a major zaibatsu (corporate alliance). From the expatriate American, Lewis learns a lot about the intricate web of politico-mercantile relationships that help preserve the status quo—and discourage genuine competition—in the island nation's domestic markets. Likewise, the Manhattanite pro tem offers insights on his countryman's yen to gain prestige and avoid conspicuous failure, traits that clarify the willingness of Japanese enterprise to make high-profile investments in properties (like Rockefeller Center) that afford little in the way of financial returns. The Japanese also argues that 1960's liberalism cost the US its capacity to vie on an equal footing with Japan's latter-day organization men. On a recent trip to Tokyo, Lewis discovered to his surprise that the journalist who broke the Recruit-scandal story, which forced the resignation of a prime minister, became neither rich nor famous. The object lesson in this outcome, at least for the author's Japanese sources, is that Americans are preoccupied with earning money and/or preferment in the short run, not in doing the right thing. Be that as it may, Lewis concludes that the Japanese are not just like us, and that their formidable economic system reflects these cultural differences. A gifted annalist's appreciation of why ``East is East, and West is West, and never the twain shall meet.''
Pub Date: May 1, 1992
ISBN: 0-393-03105-5
Page Count: 144
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1992
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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