An inquiry into sociological divergences that, for all its apparent artlessness and deceptive brevity, goes a long way toward explaining precisely what strains the commercial ties that still bind the US and Japan. With his customary acuity, Lewis (Liar's Poker, The Money Culture) focuses on two businessmen—front-line troops in the trade war now raging between the two economic superpowers. One is an insurance executive from the Midwest who worked in Tokyo for nearly two decades; the other, a Harvard-educated Japanese now based in N.Y.C., where he looks after the real-estate interests of a major zaibatsu (corporate alliance). From the expatriate American, Lewis learns a lot about the intricate web of politico-mercantile relationships that help preserve the status quo—and discourage genuine competition—in the island nation's domestic markets. Likewise, the Manhattanite pro tem offers insights on his countryman's yen to gain prestige and avoid conspicuous failure, traits that clarify the willingness of Japanese enterprise to make high-profile investments in properties (like Rockefeller Center) that afford little in the way of financial returns. The Japanese also argues that 1960's liberalism cost the US its capacity to vie on an equal footing with Japan's latter-day organization men. On a recent trip to Tokyo, Lewis discovered to his surprise that the journalist who broke the Recruit-scandal story, which forced the resignation of a prime minister, became neither rich nor famous. The object lesson in this outcome, at least for the author's Japanese sources, is that Americans are preoccupied with earning money and/or preferment in the short run, not in doing the right thing. Be that as it may, Lewis concludes that the Japanese are not just like us, and that their formidable economic system reflects these cultural differences. A gifted annalist's appreciation of why ``East is East, and West is West, and never the twain shall meet.''
Pub Date: May 1, 1992
ISBN: 0-393-03105-5
Page Count: 144
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1992
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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