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WHO IS GOVERNMENT?

THE UNTOLD STORY OF PUBLIC SERVICE

Compelling arguments against ideologues bent on dismantling the government.

Deep state, shmeep state: a spirited rebuttal to the canard that federal civil servants are nest-featherers up to no good.

“The fact is that federal employees go to work every day with the explicit job description of making the lives of everyday Americans better.” So writes W. Kamau Bell, one of the writers drawn into this Washington Post project to explore the federal workforce and the things its members do in their daily labors. As volume editor Lewis notes, the Post series, although about eight times larger than the usual feature, saw a fourfold increase in readership—perhaps not so surprising, given that D.C. is a company town, but noteworthy in that the series painstakingly showed readers the myriad ways in which government is not the demonized bugaboo of Reagan and Trump supporters. What do the people of the Department of Agriculture do? Lewis asks and answers: “They preserve rural America from extinction, among other things.” Lewis, best known for his 2003 book Moneyball, profiles a mine inspector at the Department of Labor who, committed to making mining safer, developed protocols and technologies such as the “stability factor” to do just that, even though “industry executives…made it clear…that they viewed safety as a subject for wimps and losers.” The National Cemetery Administration, writes Casey Cep, may be unknown, but its 2,300-odd employees “bury more than 140,000 veterans and their family members each year” while tending the graves of more than 4 million veterans. Dave Eggers visits the Jet Propulsion Laboratory, which is quietly asking questions about life in the universe, sending out spacecraft and monitoring the heavens while employing some of the best minds in the world—about a third of them women. All the contributions similarly press the point that the government’s work is useful—and no one else but government workers are likely to do it.

Compelling arguments against ideologues bent on dismantling the government.

Pub Date: yesterday

ISBN: 9798217047802

Page Count: 272

Publisher: Riverhead

Review Posted Online: Jan. 16, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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