A satisfyingly supernatural back story for the all-too-real final war of the Roman Republic.
Titans of Roman history grapple for control of an empire with the aid of a mystical weapon in this debut historical fantasy novel from Livingston.
After the assassination of Julius Caesar, two groups attempted to seize control of his domain: his adopted son, Octavian; and Mark Antony, whose lover, Cleopatra, is mother to Caesar’s biological child, Caesarion. Woven into this very real historical conflict is a dose of fantasy: Juba, Octavian’s adopted brother, has recently discovered a magical artifact. Known by many names, including Poseidon’s Trident and the Staff of Moses, its provenance is unclear but its powers are unquestionable—it can move objects, shred a man to pieces, and manipulate the waters of the sea—and its strength seems to originate from a jet-black stone at its heart. Juba is searching for another artifact—scrolls said to hold the secrets of the gods—but Octavian’s blood lust and cruelty are hampering his efforts. Meanwhile, as Cleopatra’s children and their tutor attempt to evade Octavian in the sprawling, bustling city of Alexandria, the truth of the origin of the Trident—and its sister artifact, the Ark—is coming to light. Meanwhile, armed with the Trident, Octavian and his army are bearing down on them. Bloody battles are waged, unoriginal but relevant theological questions are laid before the sprawling cast of characters and their shifting alliances, and while the outcome of history is fixed in time, the question of how these events came to be is given new life. Readers with an interest in this era will be captivated by the weaving of fiction with the reality of the past and the weaving of the reality of the past with the magic of the unseen world, even if the religious inquiries of the text aren’t especially fresh.
A satisfyingly supernatural back story for the all-too-real final war of the Roman Republic.Pub Date: Nov. 17, 2015
ISBN: 978-0-7653-8031-9
Page Count: 416
Publisher: Tor
Review Posted Online: Sept. 2, 2015
Kirkus Reviews Issue: Sept. 15, 2015
BOOK REVIEW
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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