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GIZMOS, GADGETS, AND GUITARS

THE STORY OF LEO FENDER

An engaging mix of biography, social-emotional skills, the development of a musical instrument, and the STEM process.

How did the electric guitar come to be?

Few would guess that the inventor of the mass-produced, solid-body electric guitar couldn’t even play. But what inventor Leo Fender excelled at was creating prototypes, collecting feedback, experimenting, refining, and improving. From childhood, he was interested in how things worked and how to fix what was broken, tinkering with radios and even finding a way to improve his vision when he lost the use of an eye. His parents didn’t see a future in such work, however, so he trained as an accountant. When the Great Depression hit, few had a need to keep track of money, but everyone needed to mend broken belongings, so he opened a repair shop. There he became aware of lap steel guitars, and the rest, accompanied by trial and error, is history. This tale of an idiosyncratic man with a curious mind serves as a virtual textbook on the STEM process and shows the value of applied inquiry, open-mindedness, and resilience. Useful for showing connections between different disciplines and how innovation can be implemented, this interesting story, told with energy and accompanied by appealing illustrations of the bespectacled White tinkerer surrounded by his gadgets, traces the history of the electric guitar we know today.

An engaging mix of biography, social-emotional skills, the development of a musical instrument, and the STEM process. (author’s note, bibliography, further reading, glossary) (Picture book/biography. 5-10)

Pub Date: Aug. 17, 2021

ISBN: 978-1-250-25186-2

Page Count: 40

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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HOW SWEET THE SOUND

A work whose lyrical and artistic genius only becomes more apparent upon rereads.

A journey through American music history as shaped by Black artists and traditions.

Fittingly, given the U.S.’s long and complicated racial history, this work takes its title from the beloved hymn “Amazing Grace,” written by a slave trader turned abolitionist. The book begins on the African plains: “Listen to the fireside chorus / of the motherland / to the talking drums / dancing beneath the gold sun / that beat a bold tapestry / of yesterday’s stories / and tomorrow’s dreams.” Likewise, the author has created a beautiful tapestry, woven with song titles and musical references. With each introduction to a different genre, he implores readers to “listen.” Laced with powerful imagery, alliteration, and onomatopoeia (“BUM-DUN! BUM-DUN!”), his verse begs to be sung. Taking a comprehensive approach, Alexander explores regional styles such as go-go alongside internationally known genres, including gospel, jazz, and hip-hop. Palmer’s distinctive illustrations offer the perfect accompaniment. Bold colors set the mood, while his brush strokes evoke movement and convey strong emotion as he depicts everything from enslaved people joyfully dancing in New Orleans’ Congo Square to fists raised high for Black power to performances by Chuck Berry, Prince, Lauryn Hill, and other musicians. Detailed backmatter defines terms and explains the significance of the music referenced.

A work whose lyrical and artistic genius only becomes more apparent upon rereads. (Informational picture book. 5-10)

Pub Date: Jan. 14, 2025

ISBN: 9780316442497

Page Count: 48

Publisher: Little, Brown

Review Posted Online: Oct. 12, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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