by Michael McCurdy & illustrated by Michael McCurdy ‧ RELEASE DATE: Sept. 1, 2000
McCurdy’s (Iron Horses, 1999, etc.) signature scratchboard illustrations take on a hieratic power as he recounts a way of pacing the year far different from what’s familiar. He’s recreating the marking of time of the Algonquian tribes of northeast Canada and the United States before the coming of white settlers. To do so he places each full-page illustration facing a page of text describing the activities of the full moon: January is Hard Times Moon; February is Snow Blinder Moon, and so on. Both text and images are full of telling detail: for the Sap Moon in March, he describes the gathering and boiling down of maple sap into syrup, and illustrates the carefully folded birchbark buckets used to gather the sap. June is the Strawberry Moon, and the much-loved fruit is gathered both wild and cultivated. At the Ripening Moon in July, he describes the hard work of tending crops, and how shellfish are harvested—lobsters are only used as bait! By the November Beaver Moon, most families have left their summer wigwams to move deeper into the forest, or into inland valleys, seeking some protection from winter’s harshness. His language is simple, direct, and clear, and reads aloud well. Satisfying in many ways. (Introduction, bibliography.) (Picture book/nonfiction. 7-10)
Pub Date: Sept. 1, 2000
ISBN: 0-618-00705-9
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
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by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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