In this rousing, as-historically-accurate-as-possible recreation of the Pony Express’s first ride, Spradlin introduces readers to the crazy-wild brainchild of three businessmen to expedite mail over the near-2,000 miles from St. Joseph, Mo., to Sacramento, Calif. Accompanied by Johnson’s artwork, which has the energy of rolling thunder and the colors of a sunset, and with an engaging sense of drama and urgency, the author follows the riders over the varied landscapes they covered, through the heavy weather they encountered and past the occasional hostile reception they received from Native Americans (though his bell-clear author’s note clarifies that hostilities were rare). When he can introduce factual material—the names of riders, the number and character of station stops, the price of $5 for ½ ounce—he does so with a light hand to keep the pedagogy at a distance. For all its iconic status, the Pony Express lasted for only a year and a half before the transcontinental telegraph drew a sleeve across its windpipe, but it was an inventive enterprise full of bodacious frontier spirit, which this book plays to the hilt. (bibliography, further reading, map, timeline) (Informational picture book. 7-10)
Pub Date: March 1, 2010
ISBN: 978-0-8027-9652-3
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Feb. 15, 2010
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
The author of Cod’s Tale (2001) again demonstrates a dab hand at recasting his adult work for a younger audience. Here the topic is salt, “the only rock eaten by human beings,” and, as he engrossingly demonstrates, “the object of wars and revolutions” throughout recorded history and before. Between his opening disquisition on its chemical composition and a closing timeline, he explores salt’s sources and methods of extraction, its worldwide economic influences from prehistoric domestication of animals to Gandhi’s Salt March, its many uses as a preservative and industrial product, its culinary and even, as the source for words like “salary” and “salad,” its linguistic history. Along with lucid maps and diagrams, Schindler supplies detailed, sometimes fanciful scenes to go along, finishing with a view of young folk chowing down on orders of French fries as ghostly figures from history look on. Some of Kurlansky’s claims are exaggerated (the Erie and other canals were built to transport more than just salt, for instance), and there are no leads to further resources, but this salutary (in more ways than one) micro-history will have young readers lifting their shakers in tribute. (Picture book/nonfiction. 8-10)
Pub Date: Sept. 1, 2006
ISBN: 0-399-23998-7
Page Count: 48
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
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